Mar 20, 2019
In this episode, Richard Hartnell discusses the history of contact ball, how he got into juggling, his involvement in the Bellingham Circus Guild, his thoughts on artivsm and learning.
Richard is among the most distinguished American contact jugglers. He both teaches and performs along the West Coast of the United States and overseas at Indie stage to huge festivals. In 2008, he co-founded the Bellingham Circus Guild in Washington state, before moving to the Vulcan lofts, a collective of artists in San Fancisco East Bay in 2009. Today, he continues to perform on stages large and small and teach contact juggling to those interested in learning the magic of manipulation. Find him online at:
Instagram - @contactballer
Facebook –/Velveteen
Professional Website- gravitydefiance.net
1:20 – Flow Life as a Barista- How Coffee Making Connects to Flow
3:50- “You get to this place where you are pulling the perfect shot, and that’s like the God Shot.” – On the Art of Coffee
4:00 – The Flow Sauce – A Conversation with Coffee Mentor Eric about Flow State
5:30 – Discovery of the Term Flow and DJ Immersion
6:00 – DJing as a Dissociative Practice and Communal Experiences
7:00- First Contact Juggling Book Obtained at SciFi Conference- The Beginning of an Object Manipulation Journey
8:50- Richard’s First Music Festival with Dream Science Circus Folks and Their Amazing Act
11:00 - Realizes Importance of Movement Flow After Watching Firedancers
14:50 – Beginning of Juggling Clubs and a Sense of Belonging
16:00 – About U&I Circus Production, Co-Op Troupes, and Various Community Models
18:00- The Beginning of Vaudvillingham Monthly Community Open Stage Shows to Raise Rent for Shared Circus Space
20:00- Memories of First Performance on Stage
21:00 – Circus Model Recommendations and Reflections
27:00 –“What needs to get done in a circus troupe other than performance?!”
29:00- Arrival to the Bay and first visit to the Vulcan
30:00– The Importance of Cross Training- A story about Greg Maldonado
31:00 – The Work of Michael Moschen and Contact Ball History
32:00- “You need ceremony when introducing a prop! Why are we doing what we do?”
36:00 – The History of Juggling Converges with Richard’s Flow Story
39:00- Street Performing in Oregon and the Bay Area
40:00 – Street Performers are Protected by Law
41:00 – Richard’s First Performance at Fisherman’s Wharf
49:00- What We Do in the States for Money and How Richard “Retired” at 26
52:00- The Perks of Street Performance – “People are going to say the same things to you, and now you get to respond!”
54:00 – What’s Your Patter?
55:00- Richard’s Artistic Inspirations: The Cosmos
56:00- Philisophical Life Musings on Artivism
60:00 – The Greatest Compliment Received from a Shows Was. . .
1:01:00 -Why Study NeuroScience and Math
1:10:00- Various Learning Curves of Props
1:12:00 – But what is Michael Moschen really like? The End of a Chapter of Juggling History
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